"Interface" Installation view
"Interface" Installation view

From L to R:
‘11.16.16’   newsprint on wood armature and wall, shadow – 32” x 51” x 14” variable

12.9.16’

metal mesh on white painted wood armature, shadow – 55” x 58” x 23” variable – 2016

‘11.11.16’   newsprint on wood armature, shadow – 64” x 58” x 21” variable 

‘12.15.16’  metal mesh on white painted wood armature, shadow – 19” x 53” x 15” merged with

‘11.14.16’  newsprint on wood armature - 54” x 27” 17” variable – 2016

'Cube of THE Magazine'  for ongoing/altering installation

(photo credit: John Vokoun)

 

Interface @ Center for Contemporary Arts
Interface @ Center for Contemporary Arts

'now...when'  2017 neon  4.5” x 65”  [sold]

‘11.21.16’  2016    62” x 28” x 21” variable
Steel and plastic mesh on white painted wood armature

cube of THE Magazine issues for ongoing/altering installation

‘12.9.16’
‘12.9.16’

metal mesh on white painted wood armature, shadow
55” x 58” x 23” variable
2016

installation view of 'Interface'
installation view of 'Interface'

2017 @ Center for Contemporary Arts

 

Polycarbonate 1
Polycarbonate 1

Polycarbonate, brass, steel, shadow 
72” x 48” x 36”
2008

Polycarbonate 4
Polycarbonate 4

Polycarbonate, brass, steel, shadow 
34” x 66” x 60” 
2008

Polycarbonate 3
Polycarbonate 3

Polycarbonate, brass, steel, shadow
2008

Promises IV
Promises IV

Kinetic interactive sculpture:
stainless steel
3' x 5' x 5'
1993

Clamped Eights
Clamped Eights

Installation grid of twelve pieces: 
Printed die cut paper, metal, shadow
6’ x 9’ 
2008

The Clamped Eights Series grew out of a series of formal/minimal pencil drawings combined with a series of engineered paper. They use shadow and eight sheets of printed, die cut drawings that are stacked and held by an aluminum clamp. Parts of Clamped Eights pop up, weave, flair out. The pieces are abstract, with the shadow as much a part of them as the paper and clamp. Variety is one goal of this controlled visual vocabulary.

Clamped Eights #21
Clamped Eights #21

Printed die cut paper, metal, shadow 
13” x 15” x 8”  
2006

Clamped Eights #15
Clamped Eights #15

Printed die cut paper, metal, shadow
13” x 15” x 8”
2006 

Mesh #28
Mesh #28

Bronze and steel mesh, chickenwire, shadow
30" x 44" x 18"
2007

Mesh #20
Mesh #20

Mesh on canvas, shadow
6" x 5" x 1"
2008

Mesh #24
Mesh #24

Mesh on canvas, shadow
17" x 15" x 8"
2008

Mesh #23
Mesh #23

Mesh on canvas, shadow
19" x 19" x 9"
2008

Mesh #27
Mesh #27

Fiberglass and chicken wire on canvas
17" x 12" x 11"
2008

SHREDDER: An Autobiography
SHREDDER: An Autobiography

The Book: 8 Chapters
edition of 20

Shredder: Ziplock
Shredder: Ziplock
Shredder: An Autobiography
Shredder: An Autobiography

Installation view of Miniature Golf Hole #10
"Contemporary Masters"
Salt Lake Art Center
2010

Lessons (excerpt)
Lessons (excerpt)

Etched plexiglass, text, shadow
60” x 25”
1993

No Sex in the World's Religions
No Sex in the World's Religions

Cut Book
2004

As We Are Introduced
As We Are Introduced

Text on rusted bell
2002

"I shake hands with you as we are introduced and part of me, with the eyes of a wary six-year-old, stands aside and listens.
Inside my head that six-year-old is asking if you have AIDS.  The child calculates the probabilities of loss as a shape forms within me that fits you only..."

Abgeschleppt
Abgeschleppt

Cobalt blue neon
6’ long
2008

Relative Stranger
Relative Stranger

Ivory neon and chartreuse shadow
14” x 40” 
2008

"Interface" Installation view
Interface @ Center for Contemporary Arts
‘12.9.16’
installation view of 'Interface'
Polycarbonate 1
Polycarbonate 4
Polycarbonate 3
Promises IV
Clamped Eights
Clamped Eights #21
Clamped Eights #15
Mesh #28
Mesh #20
Mesh #24
Mesh #23
Mesh #27
SHREDDER: An Autobiography
Shredder: Ziplock
Shredder: An Autobiography
Lessons (excerpt)
No Sex in the World's Religions
As We Are Introduced
Abgeschleppt
Relative Stranger
"Interface" Installation view

From L to R:
‘11.16.16’   newsprint on wood armature and wall, shadow – 32” x 51” x 14” variable

12.9.16’

metal mesh on white painted wood armature, shadow – 55” x 58” x 23” variable – 2016

‘11.11.16’   newsprint on wood armature, shadow – 64” x 58” x 21” variable 

‘12.15.16’  metal mesh on white painted wood armature, shadow – 19” x 53” x 15” merged with

‘11.14.16’  newsprint on wood armature - 54” x 27” 17” variable – 2016

'Cube of THE Magazine'  for ongoing/altering installation

(photo credit: John Vokoun)

 

Interface @ Center for Contemporary Arts

'now...when'  2017 neon  4.5” x 65”  [sold]

‘11.21.16’  2016    62” x 28” x 21” variable
Steel and plastic mesh on white painted wood armature

cube of THE Magazine issues for ongoing/altering installation

‘12.9.16’

metal mesh on white painted wood armature, shadow
55” x 58” x 23” variable
2016

installation view of 'Interface'

2017 @ Center for Contemporary Arts

 

Polycarbonate 1

Polycarbonate, brass, steel, shadow 
72” x 48” x 36”
2008

Polycarbonate 4

Polycarbonate, brass, steel, shadow 
34” x 66” x 60” 
2008

Polycarbonate 3

Polycarbonate, brass, steel, shadow
2008

Promises IV

Kinetic interactive sculpture:
stainless steel
3' x 5' x 5'
1993

Clamped Eights

Installation grid of twelve pieces: 
Printed die cut paper, metal, shadow
6’ x 9’ 
2008

The Clamped Eights Series grew out of a series of formal/minimal pencil drawings combined with a series of engineered paper. They use shadow and eight sheets of printed, die cut drawings that are stacked and held by an aluminum clamp. Parts of Clamped Eights pop up, weave, flair out. The pieces are abstract, with the shadow as much a part of them as the paper and clamp. Variety is one goal of this controlled visual vocabulary.

Clamped Eights #21

Printed die cut paper, metal, shadow 
13” x 15” x 8”  
2006

Clamped Eights #15

Printed die cut paper, metal, shadow
13” x 15” x 8”
2006 

Mesh #28

Bronze and steel mesh, chickenwire, shadow
30" x 44" x 18"
2007

Mesh #20

Mesh on canvas, shadow
6" x 5" x 1"
2008

Mesh #24

Mesh on canvas, shadow
17" x 15" x 8"
2008

Mesh #23

Mesh on canvas, shadow
19" x 19" x 9"
2008

Mesh #27

Fiberglass and chicken wire on canvas
17" x 12" x 11"
2008

SHREDDER: An Autobiography

The Book: 8 Chapters
edition of 20

Shredder: Ziplock
Shredder: An Autobiography

Installation view of Miniature Golf Hole #10
"Contemporary Masters"
Salt Lake Art Center
2010

Lessons (excerpt)

Etched plexiglass, text, shadow
60” x 25”
1993

No Sex in the World's Religions

Cut Book
2004

As We Are Introduced

Text on rusted bell
2002

"I shake hands with you as we are introduced and part of me, with the eyes of a wary six-year-old, stands aside and listens.
Inside my head that six-year-old is asking if you have AIDS.  The child calculates the probabilities of loss as a shape forms within me that fits you only..."

Abgeschleppt

Cobalt blue neon
6’ long
2008

Relative Stranger

Ivory neon and chartreuse shadow
14” x 40” 
2008

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